Cambridge Companion to Shakespeare on Film

Seitenzahl:

342

Gewicht:

558 g

Erschienen bei:

Cambridge University Press

Inhaltsverzeichnis

From the contents: Introduction: Shakespeare, films and the marketplace Russell Jackson; Part I. Adaptation and its Contexts:
1. From play-script to screenplay Russell Jackson
2. Video and its paradoxes Michele Willems
3. Critical junctures in Shakespeare screen history: the case of Richard III Barbara Freedman
4. Shakespeare and movie genre: the case of Hamlet Harry Keyishian; Part II. Genres and Plays:
5. The comedies on film Michael Hattaway
6. Filming Shakespeare's history: three films of Richard III H. R. Coursen
7. Hamlet, Macbeth and King Lear on film Lawrence Guntner
8. The tragedies of love on film Patricia Tatspaugh; Part III. Directors:
9. The Shakespeare films of Laurence Olivier Anthony Davies
10. Orson Welles and filmed Shakespeare Pamela Mason
11. Grigori Kozintsev's Hamlet and King Lear Mark Sokolyansky
12. Franco Zeffirelli and Shakespeare Deborah Cartmell
13. Flamboyant realist: Kenneth Branagh Samuel Crowl; Part IV. Critical Issues
14. Looking at Shakespeare's women on film Carol Chillington Rutter
15. National and racial stereotypes in Shakespeare films Neil Taylor
16. Shakespeare the illusionist: filming the supernatural Neil Forsyth
17. Shakespeare's cinematic offshoots Tony Howard; Further reading; Filmography

Kurzbeschreibung

Film adaptations of Shakespeare's plays are increasingly popular and now figure prominently in the study of his work and its reception. This lively Companion is a collection of critical and historical essays on the films adapted from, and inspired by, Shakespeare's plays. An international team of leading scholars discuss Shakespearean films from a variety of perspectives: as works of art in their own right; as products of the international movie industry; in terms of cinematic and theatrical genres; and as the work of particular directors from Laurence Olivier and Orson Welles to Franco Zeffirelli and Kenneth Branagh. They also consider specific issues such as the portrayal of Shakespeare's women and the supernatural. The emphasis is on feature films for cinema, rather than television, with strong coverage of Hamlet, Richard III, Macbeth, King Lear and Romeo and Juliet. A guide to further reading and a useful filmography are also provided.

Mehr über...

Mehr über:  Shakespeare, William, Filme (Einz.)

Mehr von: 

Mehr von:  Russell Jackson, Cambridge University Press