A persuasive reappraisal of the work of Charles Rennie Mackintosh, whose buildings and interiors in and around Glasgow, Scotland, established him as one of the great figures of early twentieth-century architecture and design. David Brett argues that Mackintosh's originality was grounded in a highly subjective "poetics of workmanship," in which the structure, features, interiors and furnishings of each building became subject to a unifying system of forms, metaphors and unconscious associations."Informative and exciting & it makes compulsive reading."-"Journal of Design History""A marvellous book."-"Architect's Journal"
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