Purchase of this book includes free trial access to www.million-books.com where you can read more than a million books for free. This is an OCR edition with typos. Excerpt from book: GENERAL PREFACE. And must I ravel out My weaved-up follies ? Richard If. Act IV. Having undertaken to give an Introductory Account of the compositions which are here offered to the public, with Notes and Illustrations, the author, under whose name they are now for the first time collected, feels that he has the delicate task of speaking more of himself and his personal concerns, than may perhaps be either graceful or prudent. In this particular, he runs the risk of presenting himself to the public in the relation that the dumb wife in the jest-book held to her husband, when, having spent half of his fortune to obtain the cure of her imperfection, he was willing to have bestowed the other half to restore her to her former condition. But this is a risk inseparable from the task which the author has undertaken, and he can only promise to be as little of an egotist as the situation will permit It is perhaps an indifferent sign of a disposition to keep his word, tha' having introduced himself in the third person singular, he proceeds in the second paragraph to make use of the first. But it appears to him, that the seeming modesty connected with the former mode of writing, is overbalanced by the inconvenience of stiffness and affectation which attends it during a narrative of some length, and which may be observed less or more in every work in which the third person is used, from the Commentaries of Caesar, to the Autobiography of Alexander the Corrector. I must refer to a very early period of my life, were I to point out my first achievements as a tale-teller ? but I believe some of my old schoolfellows can still bear witness that I had a distinguished character for that talent, at a time when the applause of my companions was my recompense for the disgraces and punishme...
Sir Walter Scott (1771 - 1832) war der größte Romanautor seiner Zeit und ist einer der einflussreichsten Schriftsteller der Literaturgeschichte. Schlagartig bekannt wurde der Anwalt aus Edinburgh, der zunächst als Übersetzer (u.a. von Goethe) hervortrat, mit der Versdichtung "The Lay of the Last Minstrel" (1805). Als Byron ihm als Lyriker den Rang abzulaufen begann, wechselte er ins Prosafach. Praktisch im Alleingang begründete er das Genre des historischen Romans, sein Erstling "Waverley" (1814) schöpft schon dessen ganzes Potenzial aus: Eingebettet in eine recht konventionelle Fabel, verwickelt er den Helden in die sozialen und politischen Umstände seiner Zeit und macht so die Vergangenheit hautnah erlebbar. Noch erfolgreicher als die von der Kritik geschätzten Bücher über das Schottland des 18. Jahrhunderts waren seine Mittelalter-Romane. Am Ende seiner Laufbahn wandte er sich wieder zeitgenössischen Stoffen zu. In der englischen Romantik, der er europaweit zur Geltung verhalf, nahm er eine Sonderstellung ein. Weder teilte er Byrons und Shelleys Lust am Irrationalen, noch war der Tory und Presbyterianer für die Revolution zu begeistern.
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